Fundación Mozarteum del Uruguay |
E-mail: mozarteum@mozarteumuruguay.org |
K1 |
K6 |
Composición |
Fecha |
Lugar |
---|---|---|---|---|
355 | 576b | Minuet in D for Keyboard | ?1786-87 | Vienna |
485 | 485 | Rondo in D for Keyboard | Jan. 10, 1786 | Vienna |
486 | 486 | Der Schauspieldirektor | Feb. 7, 1786 | Vienna |
488 | 488 | Concerto in A for Piano, No. 23 | March 2, 1786 | Vienna |
489 | 489 | Duet for Soprano and Tenor, "Spiegarti no poss' io" | March 10, 1786 | Vienna |
490 | 490 | Scena and Rondo for Soprano, "Non piú, tutti ascoltai" | March 10, 1786 | Vienna |
491 | 491 | Concerto in C minor for Piano, No. 24 | March 24, 1786 | Vienna |
492 | 492 | Le nozze di Figaro | May 1, 1786 | Vienna |
493 | 493 | Quartet for Piano and Strings in E flat | June 3, 1786 | Vienna |
507 | 507 | Canon in F for 3 voices in 1 | After June 3, 1786 | Vienna |
508 | 508 | Canon in F for 3 voices in 1 | After June 3, 1786 | Vienna |
508A | Canon in C for 3 voices in 1 | After June 3, 1786 | Vienna | |
508a | 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1 | After June 3, 1786 | Vienna | |
494 | 494 | Rondo in F for Keyboard | June 10, 1786 | Vienna |
495 | 495 | Concerto in E flat for Horn | June 26, 1786 | Vienna |
496 | 496 | Trio in G for Piano, Violin and Cello | July 8, 1786 | Vienna |
487 | 496a | 12 Duos for Basset Horns | July 27, 1786 | Vienna |
497 | 497 | Sonata in F for Keyboard Four-Hands | Aug. 1, 1786 | Vienna |
498 | 498 | Trio in E flat for Piano, Clarinet and Viola, "Kegelstatt" | Aug. 5, 1786 | Vienna |
499 | 499 | Quartet in D for Strings, "Hoffmeister" | Aug. 19, 1786 | Vienna |
500 | 500 | 12 Variations in B flat | Sept. 12, 1786 | Vienna |
501 | 501 | 5 Variations in G | Nov. 4, 1786 | Vienna |
502 | 502 | Trio in B flat for Piano, Violin and Cello | Nov. 18, 1786 | Vienna |
503 | 503 | Concerto in C for Piano, No. 25 | Dec. 4, 1786 | Vienna |
504 | 504 | Symphony in D, No. 38, "Prague" | Dec. 6, 1786 | Vienna |
505 | 505 | Scena and Rondo for Soprano, "Ch'io mi scordi di te?" | Dec. 26, 1786 | Vienna |
298 | 298 | Quartet for Flute, Violin, Viola and Cello in A | 1786-87 | Vienna |
516f | Musikalisches Würfelspiel in C | 1787 | Vienna | |
343 | 336c | 2 German Hymns | ?Early 1787 | Prague or Vienna |
509 | 509 | 6 German Dances | Feb. 6, 1787 | Prague |
511 | 511 | Rondo for Piano in A minor | March 11, 1787 | Vienna |
512 | 512 | Recitative and Aria for Bass, "Alcandro, lo confesso" | March 19, 1787 | Vienna |
513 | 513 | Aria for Bass, "Mentre ti lascio" | March 23, 1787 | Vienna |
515 | 515 | Quintet in C for Strings | April 19, 1787 | Vienna |
228 | 515b | Double Canon in F for 4 voices in 2 | April 24, 1787 | Vienna |
516 | 516 | Quintet for Strings in G minor | May 16, 1787 | Vienna |
517 | 517 | Song, Die Alte | May 18, 1787 | Vienna |
518 | 518 | Song, Die Verschweigung | May 20, 1787 | Vienna |
519 | 519 | Song, Das Lied der Trennung | May 23, 1787 | Vienna |
520 | 520 | Song, Als Luise die Briefe | May 26, 1787 | Vienna |
521 | 521 | Sonata in C for Keyboard Four-Hands | May 29, 1787 | Vienna |
522 | 522 | Ein musikalischer Spaß | June 14, 1787 | Vienna |
523 | 523 | Song, Abendempfindung | June 24, 1787 | Vienna |
524 | 524 | Song, An Chloe | June 24, 1787 | Vienna |
232 | 509a | Canon in G for 4 voices in 1, "Lieber Freistadtler, lieber Gaulimauli" | After July 4, 1787 | Vienna |
525 | 525 | Eine kleine Nachtmusik | Aug. 10, 1787 | Vienna |
526 | 526 | Sonata in A for Violin and Keyboard | Aug. 24, 1787 | Vienna |
527 | 527 | Don Giovanni | Oct. 29, 1787 | Vienna and Prague |
528 | 528 | Scena for Soprano, "Bella mia fiamma" | Nov. 3, 1787 | Prague |
529 | 529 | Song, Des kleinen Friedrichs Geburtstag | Nov. 6, 1787 | Prague |
530 | 530 | Song, Das Traumbild | Nov. 6, 1787 | Prague |
531 | 531 | Song, Die kleine Spinnerin | Dec. 11, 1787 | Vienna |
406 | 516b | Quintet in C minor for Strings | 1788 | Vienna |
535a | 3 Contredanses | ?Early 1788 | Vienna | |
533 | 533 | Allegro and Andante in F for Keyboard | Jan. 3, 1788 | Vienna |
534 | 534 | Contredanse, "Das Donnerwetter" | Jan. 14, 1788 | Vienna |
535 | 535 | Contredanse, "La Bataille" | Jan. 23, 1788 | Vienna |
536 | 536 | 6 German Dances | Jan. 27, 1788 | Vienna |
537d | Arrangement of Aria for Tenor by Carl Philipp Emanuel Bach | February 1788 | Vienna | |
537 | 537 | Concerto in D for Piano, No. 26 | Feb. 24, 1788 | Vienna |
538 | 538 | Aria for Soprano, "Ah se in ciel" | March 4, 1788 | Vienna |
539 | 539 | Song, Ein deutsches Kriegslied | March 5, 1788 | Vienna |
540 | 540 | Adagio in B minor for Keyboard | Maarch 19, 1788 | Vienna |
540a | Aria for Tenor, "Dalla sua pace" | April 24, 1788 | Vienna | |
540b | Duet for Soprano and Bass, "Per queste tue manine" | April 28, 1788 | Vienna | |
540c | Recitative and Aria for Soprano, "In quali eccesi" | April 30, 1788 | Vienna | |
541 | 541 | Arietta for Bass, "Un bacio di mano" | May 1788 | Vienna |
Anh. 135 | 547a | Sonata in F for Keyboard | ?Summer 1788 | ?Vienna |
545 | 545 | Sonata for Keyboard in C, "For Beginners" | June 16, 1788 | Vienna |
542 | 542 | Trio in E for Piano, Violin and Cello | June 22, 1788 | Vienna |
543 | 543 | Symphony in E flat, No. 39 | June 26, 1788 | Vienna |
546 | 546 | Adagio and Fugue for Strings in C minor | June 26, 1788 | Vienna |
54 | 547b | 5 (6?) Variations in F for Piano | July 1788 | Vienna |
547 | 547 | Sonata in F for Violin and Keyboard | July 10, 1788 | Vienna |
548 | 548 | Trio in C for Piano, Violin and Cello | July 14, 1788 | Vienna |
549 | 549 | Canzonetta for two Sopranos and Bass, "Piu non si trovano" | July 16, 1788 | ?Vienna |
550 | 550 | Symphony in G minor, No. 40 | July 25, 1788 | Vienna |
551 | 551 | Symphony in C, No. 41, "Jupiter" | Aug. 10, 1788 | Vienna |
552 | 552 | Song, Beim Auszug in das Feld | Aug. 11, 1788 | Vienna |
553 | 553 | Canon in C for 3 voices in 1, "Alleluia" | Sept. 2, 1788 | Vienna |
554 | 554 | Canon in F for 4 voices in 1, "Ave Maria" | Sept. 2, 1788 | Vienna |
555 | 555 | Canon in A minor for 4 voices in 1, "Lacrimoso" | Sept. 2, 1788 | Vienna |
556 | 556 | Canon in G for 4 voices in 1, "G'rechtelt's enk" | Sept. 2, 1788 | Vienna |
557 | 557 | Canon in F minor or 4 voices in 1, "Nascoso e il mio sol" | Sept. 2, 1788 | Vienna |
558 | 558 | Canon in B flat for 4 voices in 1, "Gehen wir im Prater" | Sept. 2, 1788 | Vienna |
559 | 559 | Canon in F for 3 voices in 1, "Difficile lectu mihi Mars" | Sept. 2, 1788 | Vienna |
560a | 559a | Canon in F for 4 voices in 1, "O du eselhafter Peierl" | Sept. 2, 1788 | Vienna |
560b | 560 | Canon in F for 4 voices in 1, "O du eselhafter Martin" | Sept. 2, 1788 | Vienna |
561 | 561 | Canon in A for 4 voices in 1, "Bona nox, bist a rechta Ox" | Sept. 2, 1788 | Vienna |
562 | 562 | Canon in A for 3 voices in 1, "Caro bell'idol mio" | Sept. 2, 1788 | Vienna |
563 | 563 | Divertimento in E flat | Sept. 27, 1788 | Vienna |
564 | 564 | Trio for Piano, Violin and Cello in G | Oct. 27, 1788 | Vienna |
566 | 566 | Arrangement of Handel's Acis und Galathea | November 1788 | Vienna |
567 | 567 | 6 German Dances | Dec. 6, 1788 | Vienna |
568 | 568 | 12 Minuets | Dec. 24, 1788 | Vienna |
Anh. 5 | 571a | Quartet for Soprano, two Tenors and Bass, "Caro mio Druck und Schluck" | ?1789 | ?Vienna |
570 | 570 | Sonata in B flat for Keyboard | February 1789 | Vienna |
571 | 571 | 6 German Dances for Orchestra | Feb. 21, 1789 | Vienna |
572 | 572 | Arrangement of Handel's Messiah | March 1789 | Vienna |
573 | 573 | 9 Variations in D | April 29, 1789 | Potsdam |
574 | 574 | Kleine Gigue in G for Keyboard | May 16, 1789 | Leipzig |
575 | 575 | Quartet in D for Strings, "Prussian" | June 1789 | Vienna |
576 | 576 | Sonata in D for Keyboard | July 1789 | Vienna |
577 | 577 | Rondo for Soprano, "Al desio, di chi t'adora" | July 1789 | Vienna |
578 | 578 | Aria for Soprano, "Alma grande e nobil core" | Aug. 1789 | Vienna |
579 | 579 | Aria for Soprano, "Un moto di gioia mi sento" | Aug. 1789 | Vienna |
580 | 580 | Aria for Soprano, "Schon lacht der holde Frühling" | Sept. 17, 1789 | Vienna |
581 | 581 | Quintet for Clarinet and Strings in A | Sept. 29, 1789 | Vienna |
582 | 582 | Aria for Soprano, "Chi sà, chi sà, qual sia" | Oct. 1789 | Vienna |
583 | 583 | Aria for Soprano, "Vado, ma dove? -- oh Dei!" | Oct. 1789 | Vienna |
584 | 584 | Aria for Bass, "Rivolgete a lui lo sguardo" | Dec. 1789 | Vienna |
585 | 585 | 12 Minuets | December 1789 | Vienna |
586 | 586 | 12 German Dances | December 1789 | Vienna |
587 | 587 | Contredanse in C, "Der Sieg vom Helden Koburg" | December 1789 | Vienna |
236 | 588b | Andantino in E flat for Keyboard | ?c1790 | Vienna |
106 | 588a | Overture and 3 Contredanses | January 1790 | Vienna |
588 | 588 | Così fan tutte | Jan. 26, 1790 | Vienna |
589 | 589 | Quartet in B flat for Strings, "Prussian" | May 1790 | Vienna |
590 | 590 | Quartet in F for Strings, "Prussian" | June 1790 | Vienna |
591 | 591 | Arrangement of Handel's Alexander's Feast | July 1790 | Vienna |
592 | 592 | Arrangement of Handel's Ode to Saint Cæcelia | July 1790 | Vienna |
625 | 592a | Comical Duet for Soprano and Bass, "Nun, liebes Weibchen" | August 1790 | |
593 | 593 | Quintet in D for Strings | December 1790 | Vienna |
594 | 594 | Adagio and Allegro in F minor for a Mechanical Organ | Oct.-Dec. 1790 | Vienna and elsewhere |
412+514 | 386b | Concerto for Horn in D | 1791 | Vienna |
609 | 609 | 5 Contredanses | 1791 | Vienna |
595 | 595 | Concerto in B flat for Piano, No. 27 | ?1788-91, Jan. 5, 1791 | Vienna |
596 | 596 | Song, Sehnsucht nach dem Frühling | Jan. 14, 1791 | Vienna |
597 | 597 | Song, Im Frülingsanfang | Jan. 14, 1791 | Vienna |
598 | 598 | Song, Das Kinderspiel | Jan. 14, 1791 | Vienna |
599 | 599 | 6 Minuets | Jan. 23, 1791 | Vienna |
600 | 600 | 6 German Dances | Jan. 29, 1791 | Vienna |
601 | 601 | 4 Minuets | Feb. 5, 1791 | Vienna |
602 | 602 | 4 German Dances | Feb. 5, 1791 | Vienna |
603 | 603 | 2 Contredanses | Feb. 5, 1791 | Vienna |
604 | 604 | 2 Minuets | Feb. 12, 1791 | Vienna |
605 | 605 | 3 German Dances | Feb. 12, 1791 | Vienna |
607 | 605a | Contredanse, "Il Triofo delle Donne" | Feb. 28, 1791 | Vienna |
606 | 606 | 6 "Landler" | Feb. 28, 1791 | Vienna |
613 | 613 | 8 Variations in F on "Ein Weib ist das herrlichste Ding" | March 1791 | Vienna |
608 | 608 | Fantasia in F minor for a Mechanical Organ | March 3, 1791 | Vienna |
610 | 610 | Contredanse, "Les filles malicieuses" | March 6, 1791 | Vienna |
611 | 611 | German Dance | March 6, 1791 | Vienna |
612 | 612 | Aria for Bass, "Per questa bella mano" | March 8, 1791 | Vienna |
614 | 614 | Quintet in E flat for Strings | April 12, 1791 | Vienna |
616 | 616 | Andante in F for a Small Mechanical Organ | May 4, 1791 | Vienna |
617 | 617 | Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello | May 23, 1791 | Vienna |
356 | 617a | Adagio in C for Glass Harmonica | 1791 | Vienna |
618 | 618 | Motet in D, "Ave verum Corpus" | June 17, 1791 | Baden |
619 | 619 | Cantata, "Die ihr des unermeßlichen Weltalls" | July 1791 | Vienna |
Anh. 78 | 620b | Contrapuntal Study | ?September 1791 | Vienna |
Anh. 245 | 621a | Aria for Bass, "Io ti lascio, o cara, addio" | ?Sept. 1791 | ?Prague |
621 | 621 | La clemenza di Tito | Sept. 6, 1791 | Vienna and Prague |
620 | 620 | Die Zauberflöte | Sept. 30, 1791 | Vienna |
622 | 622 | Concerto in A for Clarinet | October 1791 | Vienna |
623 | 623 | Freimaurerkantate | Nov. 15, 1791 | Vienna |
624 | 626a | Cadenzas for Piano Concertos | ||
626 | 626 | Requiem in D minor | Late 1791 | Vienna |